Either way, I set up the tripod on the roof, set the lens at 35mm (I had done the same with the 24/2, but that caused too much perspective distortion - next time I'll use the 50/1.8), and simply took each shot. That was the easy part. The tough part came in actually creating the panorama. Due to the different lighting levels, the usage of a wide angle (rather than a 50mm), and the broken tripod head, it was by no means straightforward to stitch and correct everything as seamlessly as possible (see the digital techniques section.
I think the end result is O.K., at least, for this particular panorama I do not care to spend more time on it. If I am going to repeat this idea someday, I will pay more attention to the above points, as well as trying to obtain a graduated ND filter for preserving foreground detail.
Seriously: The pictures were scanned on a Umax Powerlook III scanner. All edits were made using Photoshop 6, for which I finally had found a good reason to use it and get to know it. Many edits had to be made, first, the 10 individual pictures used for this panorama had to be stitched together (I did this manually), then, all the individual pictures needed to be worked towards restoring the original colour of the sky (I used saturation and level adjustments for this). Once that was done, the stiches needed to be removed (this was done using layer masks and the clone tool). I will spare you all the details, but believe me when I say it was a lot of work. I think it took me some 8 hours in total to get this result.
This page was made by Olaf Greve